Daily Reading Comprehensions For CAT 11 July 2026

‘Idied along with him in Huliaipole.’ This is how Tetiana Vatsenko-Bondareva, a Ukrainian widow, describes the day her husband was killed on the battlefield. ‘At first, you don’t understand anything – just an abyss, no time, no space, nothing at all. There is just some kind of existence,’ explained another war widow, Oleksandra Kolestyk.

I first heard these words as figures of speech, the language of grief stretching beyond the limits of ordinary expression. Little did I know how thoroughly the widows’ voices would change this perception, how their words would tear me apart, turn my world upside down and undermine everything I thought I knew about myself, society and existence.

Since the start of Russia’s full-scale invasion, I have been speaking with Ukrainian widows and collecting their testimonies. It was an attempt to be of some use: to listen and bear witness to stories of loss, suffering and the trauma of war. Looking back now, I see the fiction I was living inside. I imagined myself as someone who helps, the one who does the decent thing. It is still uncomfortable to recognise how naive that posture was. Without admitting it to myself, I had placed myself in the larger position, the one who remains intact while others speak from devastation.

As I stayed with the widows and their stories, that imagined position began to loosen, then collapse. The contrast between us reversed itself: my attempt to help shrank to something pitiful, while the widows turned out to be immense, larger than the world I had brought with me. The place from which I had been listening gave way beneath me. I was no longer the one who understood, who accompanied, who could offer anything. I became small in the face of what they carried – the knowledge that death is inseparable from love, that love risks literal dying, that trauma does not distort reality but exposes it. To hear them is to be dismantled by what they know.

Partly as a result of my own depression and partly because I’m a philosopher, I already understood our society as therapeutic; it operates by stigmatising and diminishing the negative aspects of existence while normalising the positive and imposing it as the only legitimate state of being. This commonsense, thoroughly psychologised outlook casts trauma or depression as deviations from how we are meant to be – happy and positive, radiating wellbeing. Even compassion becomes problematic in this context since it arrives not as genuine recognition but as a gentle pressure to return to the norm – the sympathetic hand on the shoulder that already contains, within it, the assumption that you will recover, that you should recover, that the goal is recovery.

Widows and others who carry the trauma of lost love appear, within this framework, as psychologically damaged, in need of diagnosis and compassion to help them return to the norm. Meanwhile, those on the other side of trauma take it upon themselves to bring them back.

Q1. Which of the following statements best describes the transformation in the author's internal positioning relative to the war widows over the course of the project? Correct Option 2 … Explanation: In paragraph three, the author notes that she initially placed herself "in the larger position, the one who remains intact while others speak from devastation." However, in paragraph four, this position collapsed — "my attempt to help shrank to something pitiful, while the widows turned out to be immense... I was no longer the one who understood... I became small in the face of what they carried." This represents a profound shift from an intact benefactor to a dismantled observer. Option 1 introduces political metrics not found in the text. Option 3 suggests she moved toward clinical detachment, whereas she explicitly moved away from it. Option 4 is incorrect because she actively critiques the therapeutic "pressure to recover." Hence, option 2.Q2. According to the final two paragraphs, what is the author's primary critique of contemporary "therapeutic society"? Correct Option 2 … Explanation: The author defines a therapeutic society as one that operates by "stigmatising and diminishing the negative aspects of existence while normalising the positive," casting trauma or depression as "deviations from how we are meant to be — happy and positive." She highlights the widows' realization that "trauma does not distort reality but exposes it." The core critique is that society pathologizes dark realities as mere temporary deviations from a fake baseline of constant positivity. Option 1 misinterprets the text as a complaint about logistical funding. Option 3 introduces a science versus philosophy debate absent from the text. Option 4 overstates — the author says the sympathetic hand is "problematic" due to its underlying assumptions, not that society discourages sympathy entirely. Hence, option 2.Q3. Which of the following options provides the most accurate antonym for the word "intact" as used contextually in the third paragraph: "Without admitting it to myself, I had placed myself in the larger position, the one who remains intact while others speak from devastation."? Correct Option 3 … Explanation: The author uses "intact" to describe her initial self-perception — someone mentally whole, unbroken, and fundamentally unaffected by trauma while looking down at those speaking from "devastation." In the very next paragraph, she describes the reversal of this state, noting that to truly hear the widows is to be "dismantled by what they know." Therefore, the exact conceptual opposite of remaining structurally unbroken and detached is being broken down or shattered — making "dismantled" the correct antonym. Options 1 (unscathed) and 4 (flawless) act as partial synonyms, not antonyms. Option 2 (transformed) is too broad and lacks the specific gravity of psychological devastation implied by the contrast. Hence, option 3.Q4. When the author describes her initial attempts to gather testimonies as a "fiction" and a "naive... posture," her choice of language serves to demonstrate: Correct Option 1 … Explanation: By calling her initial helpful stance a "fiction" and a "naive posture" where she felt like "the one who does the decent thing" while remaining superior and unbroken, the author is displaying deep, self-critical irony — exposing the unexamined ego and false superiority that often accompanies an outsider offering "charity" or "help" to the devastated. Option 1 captures this thematic nuance perfectly. Option 2 takes the word "fiction" completely out of context, falsely implying the widows lied. Option 3 is incorrect as the author explicitly uses her philosophical background to construct her critique. Option 4 is an extreme distortion — the author never minimizes the war or attempts to divert its political severity. Hence, option 1.